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ARAS and Amplification |
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By Harry Prochaska, former curator of ARAS San Francisco. This classic
article originally appeared in Journal of Analytical Psychology 1984, Vol. 29, Pages 101-111 and is reproduced with permission.
The Archive for Research in Archetypal Symbolism (ARAS) is a collection of 14,000 photographs of works of art and other human artifacts collected for the archetypal references within the symbolic content of the images. The photograph is accompanied by a text describing the visual detail of the item, its origin and historical context and possible interpretations of the symbol where that is possible and appropriate. In most instances, the Archive also has a slide of the item, many in colour. Each item is also cross-indexed by the various visual components which constitute the image, hence an alchemical couple will appear in the subject index as King and Queen, Sol and Luna, Sun, Moon, gold, silver, union.
While the informing point of view of ARAS is that of analytical psychology, the objective data presented in the descriptions open the archive to users other than therapists and their patients. These two groups find abundant material for the interpretation of symbols in dreams, active imagination, and other facets of analytical work. The Archive has also been used by a theatre director looking for ideas for sets and costumes, by an artist developing a survey of masks throughout world history, by a theologian looking for an androgynous figure of Christ, and by an analyst using slides for a lecture on feminine images. These examples illustrate the variety of interests which lead people to use ARAS.
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ARAS Hint: Using High-Quality
Images |
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| The pictures that you normally see on ARAS Online are sized to be sent
quickly to your computer. You can also obtain sharper images for printouts
and PowerPoint slide shows. Here's how:
1. Within ARAS Online, go to the
record page of the
image that you wish to use. That's the page where the image is on the left
and the commentary on the right.
2. From the Print menu on the
right side, select Image. If the record has more than one image, select
the one you like, such as Image b.
3. The high-quality image will appear on your screen, as will the print dialog. If you wish to print, press
OK.
4. If you instead want to save the high-quality image or paste it into a slide show or other program, cancel out of the pop-up print
dialog. On Windows, right-click over the high-quality image and select Save Picture As or
Copy as appropriate. On a Mac, hold
the Control key down as you click on the image and then select Save Image As
or Copy Image to Clipboard. |
Send Us Your Questions |
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| If you have questions about specific images, searching, how to use ARAS,
or archetypal symbolism in general, please email them to us at
info@aras.org. |
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Welcome to the ARAS Newsletter |
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By Tom Singer, M.D., Co-chair of the ARAS Online Committee
 It is with great pleasure that I welcome you to the first ARAS Online
Newsletter. In thinking about how to best introduce you to this
inaugural edition of our newsletter, I was reminded of the mystery of being
itself. That such a site has come into being at all and that it will
hopefully be sustained by the energy of all who use it is truly a mystery.
So, I went to ARAS in search of an image that would speak to the mystery of
being and to the desire in this first newsletter to celebrate the very
existence of ARAS Online. I typed "Being" into the "Search the
Archive" space and here is the first image I found which is from the Ice Age
Cultures of 20,000-15,000 BP:
Here is what the summary of record
1Ca.015 tells us about this hand
from The Panel of the Dotted Horses: "The actual handprint of a
prehistoric human being reaches out across twenty thousand years to
announce its anatomical likeness to our own hands. It announces as
well an age-old psychological kinship in the desire to make images." I would like to appropriate this image for just an instant in time
and say that it is reaching across millennia to welcome the ARAS
Online newsletter and its readers to the mystery of being. Here we
are!!!
The first thing we ask of those using ARAS Online is to delight in
its existence. The best use of this archive is to play, to explore,
to get lost. In time, it will reveal its many possible uses to you
in your research, in your efforts to understand meaning in images, and
in your wish to see how the images and beliefs of one time and
culture may have unexpected links to those of other cultures and eras.
We plan to publish ARAS Online Newsletter on a quarterly basis. It will
include articles that show how the archive can best be used and will give
examples of ways in which scholars, artists, analysts and others have
incorporated images from the Archive in their work. New ARAS records will be
introduced as they are developed. There will be interviews with those most
familiar with ARAS to share their insights about its value and use. And we
plan to introduce other new topics as they occur to us — or to you sharing
your ideas with us. Over time, we will develop a column for users to share
their experiences, questions, and ideas. It is our goal to help the archive
grow and become a resource for people around the world to explore both our
commonalities and our differences. It is our belief that ARAS Online should
encourage global scholarship that will allow us to receive new material as
well as present new material. We have an unparalleled opportunity to use the
magnificent tool of the Internet to share this extraordinary treasure and to
see it increase in value. So, we welcome you to ARAS Online and hope that
you will contribute to its growth as well as be nourished by its amazing
resources. Please let us know what you think about the site, about how we
might grow it and make it even better and more useful. |
An Interview with ARAS Curator Ami
Ronnberg |
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By Torben Gronning
Online access to the ARAS archive has made the unique
collection of symbolic images available to a much wider audience than ever
before. As someone with a curiosity about symbolic images I set out to learn
more about online ARAS. In New York City ARAS is located at E. 39th
Street in the beautiful brownstone building that houses the New York C.G. Jung
Center. Here, I met with Ami Ronnberg, who has been the curator at ARAS New
York since 1985 and currently heads a staff of five specialists in art, art
history, depth psychology and archetypal symbolism. Ami is one of the most
experienced users and teachers of the archive.
Torben: Ami, who uses ARAS?
 Ami: The users come from several groups. There are
candidates training to become Jungian analysts. They may be doing research for
papers, theses, or presentations, or they may be exploring the iconographic
background to images in their clients' dreams or their own dreams. A second
category is artists: painters, sculptors, theater set designers, filmmakers,
book cover designers, and book and magazine illustrators. The Academy Award-winning film maker Faith Hubley was inspired by ARAS in the creation of several
of her famous animated films. We once even had a tattoo artist who always
researched the symbol the client requested before doing the tattoo! A third
category is students from art schools, design schools, or from university
departments of psychology, philosophy, or literature. We also meet writers and
lecturers, and people interested in symbolism and mythology in general. And
finally we have, of course, practicing therapists, analysts, art therapists -
and anyone who dreams.
Torben: What do you tell an ARAS user?
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