Chapter 6

 

Figure 1. Paul Cezanne, The Bay of Marseilles seen from L’Estaque.
 

Figure 2: Paul Cézanne, Aix-en-Provence, França [France],1839–1906. Rochedos em L’Estaque [Cliffs in L’Estaque],1882–85. Óleo sobre tela [Oil on canvas], 73 × 92 cm. Acervo [Collection] Museu de Arte de São Paulo Assis Chateaubriand. Doação [Gift] Edward Marvin,1953
MASP.00087. Foto [Photo] João Musa.
 

Figure 3: Attributed to Li Cheng, Chinese (919–967 C.E.). A Solitary Temple Amid Clearing Peaks, Northern Song Dynasty (960–1127). Hanging scroll, ink and slight color on silk,14 × 22 inches (111.8 × 55.9 cm). The Nelson-Atkins Museum of Art, Kansas City, Missouri. Purchase: William Rockhill Nelson Trust, 47–71. Photo courtesy of Nelson-Atkins Media Services  / John Lamberton.
 

Figure 4: Li Cheng, High Pines, Level Distance.
 

Figure 5: Guo Xi, Early Spring.
 

Figure 6: Sesshu, Splashed-Ink Style Landscape (1495).

 

Figure 7: Sesshu, Long Scroll of Landscapes (1469).
 

Figure 8: Sesshu, Autumn Landscape.
 

Figure 9: Sesshu, Winter Landscape.
 

Figure 10: Sesshu, View of Ama-no-Hashidate (1501–1506).
 

Figure 11. Fan Kuan, Travelers Among Mountains and Streams.

 

Go back to Cultural Complexes in China, Japan, Korea and Taiwan: Spokes of the Wheel.