sublimatio

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Sublimatio constitutes one of the seven major alchemical operations as distinguished by Edinger, each one a center of an elaborate symbol system making up the principle content of all culture-products. The author's cluster diagram (fig. 005.00) of sublimatio is shown below:

(xx)

AOP Pg 117 (xx) Cluster Diagram Sublimatio

Cluster Diagram: Sublimatio

Author's Diagram

(a)

Just as calcinatio pertains to fire, solutio to water, and coagulatio to earth, so sublimatio is the operation pertaining to air. It turns the material into air by volatilizing and elevating it. The image derives from the chemical process of sublimation in which a solid, when heated, passes directly into a gaseous state and ascends to the top of the vessel, where it resolidifies on the upper, cooler region. Distillation is a similar process, in which a liquid vaporizes on heating and condenses again in a cooler area

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AN ELEVATING

PROCESS

(b)

The term “sublimation” derives from the Latin sublimis, meaning “high.” This indicates that the crucial feature of sublimatio is an elevating process whereby a low substance is translated into a higher form by an ascending movement. Earth is transformed into air; a fixed body is volatilized; that which is inferior is changed into something superior (inferus, below; superus, above)

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(c)

All images that refer to upward movementladders, stairs, elevators, climbing, mountains, flying, and so forthbelong to sublimatio symbolism, as do all the psychological and value connotations associated with being high rather than low. An alchemist text says, “The spirit, therefore, by the help of the water and the soul, is drawn forth from the bodies themselves, and the body thereby is made spiritual; for that at the same instant of time, the spirit, with the soul of the bodies, ascend on high to the superior part, which is the perfection of the Stone, and is called sublimation” ( The Lives of the Alchemystical Philosophers, p. 138 )

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DEALING WITH A

CONCRETE PROBLEM

(d)

According to this text, the body is “made perfect” by spiritualizing it. Psychologically, this corresponds to a way of dealing with a concrete problem. One gets “above” it by seeing it objectively. We abstract a general meaning from it and see it as a particular example of a larger issue. Just to find suitable words or concepts for a psychic state may be sufficient for a person to get out of it enough to look down on it from above, [aerial view]. For instance, to label a resentful mood an “anima possession” may release the grip of the mood. To identify a man's reaction to his wife as an example of his mother problem, or a reaction to his boss as part of a father complex, conceptualizes the experience and helps him to get above it. A striking example of such word power is that of a priest who had anxiety while celebrating the Eucharist. He experienced a definite alleviation of symptoms upon learning that he had a well-known condition called performance anxiety

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RAISED ABOVE

CONFINING ENTANGLEMENTS

(e)

Sublimatio is an ascent that raises us above the confining entanglements of immediate, earthy, existence and its concrete, personal particulars. The higher we go the grander and more comprehensive is our perspective, but also the more remote we become from actual life and the less able we will be to have an effect on what we perceive. We become magnificent but impotent spectators. Heaven is the abode of the eternal Platonic forms, the universals, the archetypal images. Hence, whenever a dream or life situation is interpreted from the archetypal standpoint, it is promoting sublimatio. The success of such interpretations may be expressed in dreams by the escape or release of caged birds or some other auspicious upward movement

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JUNG / FREUD

IDEAS OF SUBLIMATION

(f)

Jung distinguishes Freudian sublimation from the alchemical sublimatio in this passage from his letters: “Sublimatio is part of the royal art where the true gold is made. Of this Freud knows nothing, worse still, he barricades all the paths that could lead to the true sublimatio. This is just about the opposite of what Freud understands by sublimation. It is not a voluntary and forcible channelling of instinct into a spurious field of application, but an alchymical transformation for which fire and the black prima materia are needed. Sublimatio is a great mystery. Freud has appropriated this concept and usurped it for the sphere of the will and the bourgeois, rationalistic ethos” ( Jung, Letters, 1 : 171. )

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SUBLIMATION EXPERIENCED

IN SYMBOLIC IMAGES

(g)

For the alchemist, the process of sublimation was experienced in symbolic images. He, for example, might see a bird flying up from the matter in the lower part of the vessel to the upper regions. The alchemical vessel was equated with the macrocosm, its lower part being the earth and its upper part, heaven. The sublimate flees earth and is transported to heaven. A text says, “At the end of the sublimation there germinates through the mediation of the spirit, a shining white soul [anima candida] which flies up to heaven with the spirit. This is clearly and manifestly the Stone” ( Quoted in CW12: par. 462 ) (fig. 005.02) . This “white soul” is often represented by a white bird being released from the material being heated

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(g)

AOP Pg 120 (g) FigNo005.02

(g)

Sublimatio

(g)

Sapentia veterum philosophorum sive doctrina eorundum de summa et universali medicina, 18th century. Paris, Bibliothèque de l'Arsenal, MS. 974

WHITE BIRD EMERGING

FROM A MAN'S HEAD

(g-1)

One picture shows a man being cooked in a water bath with a white bird emerging from his head (fig. 005.03)

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(g-1)

AOP Pg 120 (g-1) FigNo005.03

(g-1)

Extraction of the White Dove

(g-1)

Trismosin, Splendor Solis, (1582)

(g-2)

A parallel to this picture occurred in the case of a young woman who was enduring an intense and painful activation of the unconscious. She dreamed:

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Dream:

Giving Birth

(g-3)

I am in a hospital, pregnant but not quite ready for birth. I go to sleep and when I wake up it is very dark. I feel something pressing on my ribs very hard and it seems as if this unseen exterior pressure is forcing me to give birth. A voice says, “How would you like to have a son?” As I woke up the imagery continued. I saw a girl like the one in Munch's lithograph, “The Cry.” Her mouth is a circular opening. She is in a white circle surrounded by more circles of black lines. Out of her mouth comes a horde of doves or white pigeons (fig. 005.04)

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(g-3)

AOP Pg 121 (g-3) FigNo005.04

(g-3)

The Cry

(g-3)

Munch, (1895). Oslo, National Museum

DREAM COMMENTARY

(h)

This dream informs the patient that the anxiety she is enduring is part of a larger transformation process, in which the ego is heated by horror in order to bring forth a new birth, the “sublimate,” represented by the flock of doves. Dreams of birds generally refer to sublimatio, and bird phobias may indicate fear of a necessary sublimatio. They are also often connected with a fear of death, death being the ultimate sublimatio whereby the soul is separated from the body

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SUBLIMATIO AS AN

EXTRACTION PROCEDURE

(i)

One aspect of sublimatio overlaps with separatio symbolismnamely, its use as an extraction procedure. For instance, mercury can be extracted from certain compounds by heating. It vaporizes, sublimates, and reappears on the cooler portion of the vessel

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(i-1)

This “expulsion of the quicksilver” is done by sublimatio, which releases the spirit hidden in matter. In the largest sense, this refers psychologically to the redemption of the Self from its original unconscious state. The expulsion of the quicksilver can also be experienced in lesser ways as the extraction of meaning from heavy moods, from concrete events, or from the factuality of nature (fig. 005.05)

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(i-1)

AOP Pg 123 (i-1) FigNo005.05

(i-1)

Extraction of Mercurius and Coronation of the Virgin

(i-1)

Lower Level: Mercurius (Represented as a Monstrosity) Being Extracted from the Prima Materia. Upper Level: The Assumption and Coronation of the Virgin, Transforming the Trinity into a Quaternity. Speculum trinitatis from Reusner, Pandora (1588)

ATTENUATION BY

“GRINDING” OR “HAMMERING”

(j)

Sublimatio can mean “grinding” or “hammering” to bring about an attenuation of the material. Very fine powder approaches a gas in its consistency. Note also that the symbolism of grinding contains the moral categories of good and bad. Powder made up of small particles is called “fine,” that with large particles is “coarse.” To be good is to be well pulverized. Encounter with the numinosum may have a pulverizing effect, as indicated by the saying, “Though the mills of God grind slowly, yet they grind exceedingly small.” “Foliation” has the same implication. An alchemical recipe mentioned earlier reads, “Sow your gold in white foliated earth”that is, in sublimated earth. Foliation is done by hammering

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PURIFICATION SEPARATING

MATTER AND SPIRIT

(k)

Sublimatio is described as a purification. When matter and spirit are intermixed in a state of unconscious contamination, they must be purified by separation. In this impure state, the spirit must first seek its own purity and will see all that pertains to flesh and matterthe concrete, the personal, the desire-ladenas the enemy to be overcome

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CULTURAL EVOLUTION SEEN

AS A GREAT SUBLIMATIO

(l)

The whole history of cultural evolution can be seen as a great sublimatio process in which human beings learn how to see themselves and their world objectively. Stoic philosophy was one vast effort to teach humans how to achieve the Stoic goal of apathia by getting above the passions that tie them to the earth. Similarly, Plato's idealism, as well as all later idealistic systems, strive to present life in terms of eternal forms and universal ideas in order to overcome the galling human bondage to the contingencies of matter. Reason, which gives people a standpoint outside their personal likes and dislikes, becomes an indispensable agent of sublimatio by teaching them how to be reflective spectators of themselves

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(l-1)

The capacity to get above and see oneself objectively is the ability to dissociate. The use of this word immediately indicates the danger of sublimatio. Each of the alchemical operations has its own pathological symptomatology when carried to extremes, but modern individuals probably misuse sublimatio more than the others. The ability of the psyche to dissociate is both the source of ego consciousness and the cause of mental illness

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(m)

A young man was tragically caught in the archetypal dynamism of sublimatio as an autonomous process of dissociation. It impelled him further and further from personal, earthy reality until the inevitable enantiodromia sent him crashing to the ground

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(m-1)

The following three dreams show the process of his dissociation:

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Dream:

Stranded on a High Platform

(m-2)

I once dreamed that I had climbed a ladder to a high platform, and that then somebody removed the ladder so that I was left stranded on the height with no way of getting down again

Dream:

Miles Above the Earth

(m-3)

Another time I was climbing a ladder miles above the earth's surface with something impelling me onward. I dared not to look down for fear of becoming dizzy and letting go of the rung

Dream:

Glass Floor of Wall-less Elevator

(m-4)

Another time I was spread-eagled on the glass floor of a wall-less elevator. There was no shaft. A hydraulic piston was pushing the floor ever upwards. I was fearfully peering over the edge of the floor, watching the earth recede in the distance

(n)

A dream with similar imagery but vastly different outcome is reported by Emerson. In 1840 at the age of 37 while preparing his Essays: First Series for publication he dreamed:

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Dream:

Floating in the Great Ether

(n-1)

I floated at will in the great Ether, and I saw this world floating also not far off, but diminished to the size of an apple. Then an angel took it in his hand and brought it to me and said, “This must thou eat.” And I ate the world ( The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson, 7 : 525. )

DREAM COMMENTARY

(o)

A dream of floating in the “great Ether” seems symbolically appropriate for the author of Emersonian transcendentalism. This dream is grand rather than grandiose. In contrast to the pervious dreams, this one contains its own corrective factor. The extreme sublimatio is compensated by the coagulatio image of eating the apple of the world

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TOWER AS A

SUBLIMATIO SYMBOL

(p)

The image of the tower is a typical sublimatio symbol. Hexagram 20 of the I Ching entitled “Contemplation (View)” represents a tower and describes the same kind of contemplation of the archetypal realm as does Milton. The I Ching speaks of those who contemplate “the meaning underlying the workings of the universe” and “apprehend the mysterious and divine laws of life, and by means of profoundest inner concentration they give expression to these laws in their own persons”

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(q)

The tower image came up in a dream of mine after attending an impressive lecture on mythology. I dreamed:

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Dream:

Broadcasting Tower

(q-1)

I see a stupendously high tower. It is a broadcasting tower for a radio network. One climbs it by a ladder built on the outside. A man is there whose job it is to operate the tower. Each day he climbs to the top in the morning and descends again at night. I ask him if it isn't difficult. He says, “not at all.” I realize that I would be very reluctant to climb to such a height

DREAM COMMENTARY

(r)

The dream pictures my reaction to the lecture. I was dazzled by its brilliance and broad perspective. Ascent to a height gives one a perspective view not available from the ground. Thus in mythological and religious ascension often accompanies revelation of the divine realm. God meets humanity on the mountainfor example, Moses on Sinai

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(r-1)

The person who is vouchsafed a revelation from God is often “lifted up” and transported to heaven

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(r-2)

Enoch is a figure who receives a revelation by ascension. In the pseudepigraphal Secrets of Enoch he is lifted up by angels and given a guided tour through the ten heavens, and finally he sees God himself. According to popular legend, Mohammad was transported bodily through the seven heavens to the presence of God for the purposes of revelation

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(r-3)

The symbolism of shamanism also has the motif of ascent to revelation. The shaman climbs the world pillar, or the cosmic ladder, or makes a magical flight in search of a supernatural revelation

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(r-4)

A good example of sublimatio symbolism is found in an ancient Mithraic ritual of initiation

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(r-5)

This ritual was meant to bring about a revelation of the divine realm and to confer immortality on the initiate by means of an ascent to heaven. In psychological terms, it is a revelation of the archetypal psyche which releases one from a personal ego-attitude, enabling one to experience oneself as an immortalthat is, as living with archetypal realities and making a contribution to the archetypal psyche

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ASCENT SYMBOLISM

(s)

Another aspect of ascent symbolism is the theme of translation to eternity. For instance, Heracles ascended to Olympus from his funeral pyre, a quite literal sublimatio. He disappeared from the earth and reappeared on a higher level as a result of being heated. The same thing happened to Elijah ( 2 Kings 2 : 11, RSV ): “Behold, a chariot of fire and horses of fire separated the two of them [Elisha and Elijah]. And Elijah went up by a whirlwind into heaven” (fig. 005.06)

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(s)

AOP Pg 131 (s) FigNo005.06

(s)

Ascension of Elijah

(s)

Doré, Bible Illustrations

(t)

Fire also sublimates Elijah. According to 1 Maccabees 2 : 58, it was Elijah's fiery religious intensity that accounted for his ascension. “Elijah for his consuming fervour for the law was caught up to heaven itself” (JB). Christ ascended to heaven forty days after his resurrection ( Acts 1 : 9 ). According to legend, the Virgin Mary ascended into heaven at the time of her death, and the Feast of the Assumption of the Virgin has been on the Church calendar (August 15) since the seventh century, although the assumption was not proclaimed as dogma until 1950 (fig. 005.07)

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(t)

AOP Pg 131 (t) FigNo005.07

(t)

Assumption of the Virgin

(t)

The Hours of Catherine of Cleves. The Guennol Collection and the Pierpont Morgan Library

TRANSLATION TO ETERNITY

(u)

In the foregoing I have given a number of examples of the symbolic theme of translation to eternity. Now comes the question, What does this mean psychologically? We are speaking here of the greater sublimatio as contrasted with the lesser one. The lesser sublimatio must always be followed by a descent, whereas the greater sublimatio is a culminating process, the final translation into eternity of that which has been created in time

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(v)

What does it mean psychologically to translate into eternity that which has been created in time? Individual consciousness or realization of wholeness is the psychological product of the temporal process of individuation. For that to be made eternal is a mysterious idea. It seems to imply that consciousness achieved by individuals becomes a permanent addition to the archetypal psyche

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(w)

There is indeed evidence for this idea. For instance, Jung had sublimatio visions when close to death in 1944. He found himself elevated far above the earth and stripped down to an “objective form”:

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Dream:

Sublimatio

(w-1)

Jung: I had the feeling that everything was being sloughed away; everything I aimed at or wished for or thought, the whole phantasmagoria of earthly existence fell away or was stripped from mean extremely painful process. Nevertheless something remained; it was as if I now carried along with me everything I had ever experienced or done, everything that had happened around me. I might also say: it was with me and I was it. I consisted of all that, so to speak. I consisted of my own history, and I felt with great certainty: this is what I am. “I am this bundle of what has been, and what has been accomplished”

(w-2)

Jung: I had the feeling that everything was being sloughed away; everything I aimed at or wished for or thought, the whole phantasmagoria of earthly existence fell away or was stripped from mean extremely painful process. Nevertheless something remained; it was as if I now carried along with me everything I had ever experienced or done, everything that had happened around me. I might also say: it was with me and I was it. I consisted of all that, so to speak. I consisted of my own history, and I felt with great certainty: this is what I am. “I am this bundle of what has been, and what has been accomplished”

DREAM COMMENTARY

(x)

I understand this passage to be a description of the greater sublimatio in its total and ultimate form. Partial aspects of the same process occur, I think, whenever an item in one's personal psychology is decisively objectified. It then becomes an eternal fact, untouchable by joy or grief or change

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(y)

The majority of sublimatio images we encounter as therapists belong to the lesser, sublimatio. In fact, for contemporary patients, images of ascent, heights, and flying almost always indicate the need for a down-going. Modern individuals have had entirely too much sublimatio, at least of the lesser kind. They need descent and coagulatio (fig. 005.12) . The relative freedom of the sublimated state is an important achievement in psychic development, but only a part. It can be disastrous to be stuck in the sky. Ascent and descent are both needed. As an alchemical dictum says, “Sublimate the body and coagulate the spirit”

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(y)

AOP Pg 142 (y) FigNo005.12

(y)

The Tower of Babel

(y)

Bruegel, (1563). Vienna, Kunsthistorisches Museum

SUBLIMATIO REMAINS AT

THE CORE OF ALL HUMAN EFFORT

(z)

In spite of the danger of sublimatio for the modern mind, its symbolism remains at the core of all human effort for development. All that evokes our better, “higher” nature, indeed, all morality partakes of sublimatio imagery

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